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Let's Create Something Unforgettable. Start Here:
Let's Create Something Unforgettable.
Tell us what you're celebrating, or creating, & we'll send availability, pricing & next steps.
Fill Out The Form Below
Let's Create Something Unforgettable. Start Here:
Let's Create Something Unforgettable.
Tell us what you're celebrating, or creating, & we'll send availability, pricing & next steps.
Video & Production • Lake grove, Long Island
A Dressed Location, Ninety Minutes Closer Than Brooklyn.
A practical set that is already built - wisteria ceiling, chandeliers, drapery, vintage dressing - with ground-level load-in, crew parking and exclusive use. Commercials, brand film, interviews and tabletop. Full tech specs below, and a scout pack on request.
Let's Create Something Unforgettable. Start Here:
Let's Create Something Unforgettable.
Tell us what you're celebrating, or creating, & we'll send availability, pricing & next steps.
Ground
Level Load in
Exclusive
One Production at a time
On-Site
Crew Parking
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Let's Create Something Unforgettable. Start Here:
Let's Create Something Unforgettable.
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The Two Usual Options
Both of Them Cost You A Day You Didn't Budget.
You need a warm, designed interior. On this side of the city there are two ways to get one, and neither is really about the day rate.
Going into Manhattan or Brooklyn means the location fee is the smallest line on the page. It is the crew travel, the parking, the permits, the load-in through a freight elevator on a shared schedule.
Going to a blank stage means the art department builds the thing you came for.
A continuous wall is not a set. Somebody sources the furniture, somebody rigs the greenery, somebody strikes it at eleven at night - and that is a prep day, a truck and a department you are paying for twice.
A City Studio
Excellent stages, real infrastructure. Also crew travel from the Island, metered or permitted parking, shared freight, and a call time that starts an hour earlier for everybody just to get there.
Costs you: travel, parking, permits, schedule
A Blank Stage or Warehouse
Cheap per day and completely empty. Every wall, plant and piece of furniture in frame is something the art department sourced, trucked, dressed and struck.
Costs you: a build, a truck, a prep day
Somebody's House
Characterful and unpredictable. Domestic circuits, low ceilings, a fridge you cannot switch off, and an owner in the next room wondering about their floors.
Costs you: power, sound, and goodwill
What You're Booking
The Set is Already Standing.
Wisteria across the ceiling, gold chandeliers between mirrored spheres, a wall of antique frames threaded with ivy, velvet drapery, vintage furniture. Installed, permanent for the season, and included in the day rate.
For a production that is an art department line you do not spend. No set build, no dressing truck, no prep day to install and no strike at the end of it. You arrive to a location that is already in the state most stages would need a day to reach.
Then four times a year the entire environment comes down and a different one goes up - which is either very useful or a scheduling problem, depending on your campaign. We deal with that honestly further down the page.
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Shot Here
What The Location Suits
Commercials & Spots
Broadcast and social cutdowns in a warm interior that needs no build.
Brand Film
Longer-form brand and founder stories where the room has to carry tone.
Interviews & Testimonial
Seated setups with real depth behind the subject instead of a grey flat.
Tabletop & Food
Styled surfaces, texture and practicals already in place for product macro.
Fashion & Lookbook
Motion and stills together, with room for wardrobe and multiple looks.
Music Video
A performance-scale interior with character, minutes off the LIE.
Course & Training
Multi-module shoot days where a repeatable, controlled set matters most.
Live & Streamed
Broadcasts and hybrid events in a room built to be looked at.
The Honest Caveat
This Set Has An Expiry Date.
Everywhere else on this site the seasonal rebuild is a selling point. For production it is a risk, and you should hear it from us rather than find out in post.
Shoot a campaign in the spring installation, come back in July for pickups, and the set no longer exists. Not changed - gone, and replaced with something that will not intercut with the footage you already have.
Two ways around it, both of which we would rather discuss at the quoting stage than the reshoot stage: book the whole campaign inside a single installation window, or tell us early and we will talk about holding specific elements through a rebuild.
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Let's Create Something Unforgettable. Start Here:
Let's Create Something Unforgettable.
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Production questions
The Practical Ones.
Mostly logistics, because that is what stalls a location booking two days before a shoot.
Can we rig lights to the ceiling?
The ceiling carries a floral installation and chandeliers, so anything flown has to be discussed rather than assumed. Tell us your lighting plan when you inquire and we will give you a straight yes or no before you scout.
What power is available for lighting?
See the tech specs above for circuits and amperage. Send your gaffer's power requirements with your inquiry — if the plan needs more than the building carries, we will say so early rather than let you find out on the day. There is street-side access for a generator.
How quiet is it for dialogue?
We are on Route 25, so we will not claim silence. [Confirm measured ambient with HVAC on and off before publishing this answer.] Tell us whether you are recording dialogue and we will tell you honestly what to expect at your call time and whether the HVAC can be killed for takes.
Can the room be fully blacked out?
This matters for any shoot longer than a few hours, because uncontrolled daylight shifts across a day and the footage stops cutting together. Ask us directly and we will tell you what is possible rather than what sounds good.
Can we shoot stills at the same time?
Yes — most productions do, and there is no separate charge for capturing stills during a booked shoot day. See Photography if stills are the whole job.
Can we bring our own decorations?
Yes, though most people need far less than they expect. We ask about anything attaching to the installation, open flame, confetti and glitter. Enclosed candles and numeral displays are fine.
Tell Us the Job. We'll Send the Specs
Dates, format and crew size. You will get the scout pack - floor plan, dimensions, power and sound specs, stills of the current installation - plus availability and a rate, within one business day and formatted to drop into a bid.